Who is andrew weatherall

Weatherall resisted the temptation to cash in on the remix boom he had helped to create. His Sabres of Paradise project, which began in , encompassed a label, a band and the Sabresonic club night.

Two Lone Swordsmen was a collaboration with Keith Tenniswood , and the pair later collaborated on the Rotters Golf Club label Despite his success, Weatherall was reluctant to produce more mainstream albums and avoided the spotlight that some of his more commercial-minded peers embraced.

I mean, I had a little look in the early Nineties. In , he released numerous ambient techno singles on his Sabrettes label as part of the group Sabres of Paradise and, later, as one-half of Two Lone Swordsmen. Also one of the nicest. Talking to the Guardian in , Weatherall expressed little nostalgia for the drug-fueled era that helped launch his career.

Weatherall released his final album, Qualia, in John Barrett. Newswire Powered by. The musician, who was born in Windsor, rose to fame during the acid house era, and worked with the likes of New Order and Happy Mondays. His production and remix work on Primal Scream's Screamadelica turned it into an era-defining album, and earned the band the first Mercury Prize in Weatherall died in hospital on Monday morning, his spokesman confirmed.

His death was swift and peaceful," said a statement. The musician started his career singing with post-punk bands at his local arts centre - but found his feet as a DJ in the late s. When the acid house scene started to develop around the Roundshaw Estate in Sutton, he discovered that club nights were playing a lot of the music he already owned.

As the scene exploded, Weatherall was invited to play at the London nightclub Shoom by DJ Danny Rampling, and helped document rave culture with the fanzine Boys Own - a name he later gave to his own record label. After an initial attempt on which he " basically slung a kick drum under the original ", Weatherall decided to try a much more radical approach. The result was Loaded, which retained about seven seconds of Primal Scream's song - the bass line and a slide guitar. Gillespie saw Loaded as being part of the Jamaican tradition of dub records, where songs are deconstructed at the mixing desk, adding new elements and desecrating existing ones.

Emma Warren You answered that already, but in your head, what were you turning that into? Andrew Weatherall The original was kind of a steppers dub tune.

Emma Warren When you say a destruction job but you have to keep the spirit of it, how do you find the spirit of a piece of music? Andrew Weatherall Sorry, yeah, I work with an engineer called Tim Fairplay and he was the guitarist in a band called Battant, who are a kind of electro Siouxsie and the Banshees for want of a much better description. Emma Warren When we were chatting earlier you described yourself as a producer in the old-school sense of the word.

Andrew Weatherall Yeah, I never claim to be a technical wizard. Emma Warren The funny thing about that, we were talking earlier about how during acid house you heard a massive range of music, certainly in London. Emma Warren So clubs definitely have been an important part all the way through for you. Andrew Weatherall Oh, soul weekenders, disco clubs.

Emma Warren You were a 14 year-old bored soul boy, so young. Andrew Weatherall Let me talk you through the look: it was a peroxide wedge with a black underneath, pegged trousers, rubber sandals and a mohair jumper. Emma Warren But this was a risk you continue to enjoy. Andrew Weatherall You mean the, um, you want that anecdote?

Andrew Weatherall Are we steering away from music? Emma Warren You brought up fashion, not me. Emma Warren Maybe, maybe, maybe. Andrew Weatherall The depths of beyond?

What does that entail? Emma Warren The olden days. Andrew Weatherall Did you express an interest in Wooden Shjips? Emma Warren Yeah. Andrew Weatherall Yeah, basically. Emma Warren The reverse of getting knowledge.

Emma Warren Absolutely. Andrew Weatherall Is it? Emma Warren Or is it not? Was that a shout for something? Emma Warren Who said neither? Andrew Weatherall It is. Do you want me to talk you through that one? Emma Warren No. Andrew Weatherall What? Emma Warren You took part in the Screamadelica 20th anniversary tour. Andrew Weatherall It was great. Andrew Weatherall But Screamadelica still resonates 20 years later. Andrew Weatherall We can, we can. Andrew Weatherall You have to be quite careful.

Emma Warren Have you got any of your rockabilly stuff with you? Andrew Weatherall No. Emma Warren Great. Andrew Weatherall Well, I got the call yesterday to bring some music. Andrew Weatherall Yes, it was a debacle last time you tried. You said you like mistakes. Andrew Weatherall Just search for Johnny Burnette, rockabilly music.

Andrew Weatherall In Lyon. Emma Warren You ran clubs at various points in your Andrew Weatherall Yeah, that was pre-acid house. Emma Warren During the techno phase. Emma Warren The Orbit was a legendary techno club in the UK that had a reputation for being quite hardcore. Andrew Weatherall It was very hardcore. Emma Warren There was definitely a period when you were making a lot of techno and putting out techno records and supporting what seems like a forgotten area of time.

Emma Warren Into a techno tunnel. No, not a tunnel. Andrew Weatherall Well, thankfully there was light at the end of it. Emma Warren One thing we have to talk about is the more recent productions.

Andrew Weatherall I liked their first album and unbeknownst to me I knew their manager. Emma Warren Instead of carrying bricks you were carrying sound. Andrew Weatherall It was a harsh experience, shall we say.

Andrew Weatherall Go on. Emma Warren And how long did that take? I know you said it was three takes a track. Andrew Weatherall It took four weeks.

Andrew Weatherall That was the whole point of it. Andrew Weatherall God, what were they called? Emma Warren Did you have people with whistles at your gigs, wearing shorts? Emma Warren Excellent. Sounds like a Kevin Shields remix. Andrew Weatherall Yeah, pretty much.

Emma Warren And is there another one coming? Emma Warren That would be good. Andrew Weatherall A polymath, if you will. Andrew Weatherall Oh, absolutely. Emma Warren So what for you makes a great band great? Emma Warren The same is true for you, I guess. Andrew Weatherall Possibly.

Andrew Weatherall Exactly. Emma Warren I guess adapting is kind of your MO. Emma Warren Someone else you said you might be working with, someone you met recently in your local surrounds.

Emme Warren And become a cult property shortly afterwards. Andrew Weatherall And loathe and despise me for the rest of his life. Emma Warren One more thing before we pass it out. Emma Warren OK, you might not like two words sandwiched together, but it is a brilliant idea. Emma Warren I can only agree.

It is. But questions. Do we have the microphone to hand? Andrew Weatherall Indeed. Audience member Yeah, a little bit. Audience member Their problem. Andrew Weatherall Stay with it, my friend. Audience member When you write remixes, I noticed on all those ones you kept the original bassline on the bass guitar. Andrew Weatherall Not always, no. Audience Member Do you have any rules when you sit down to do a remix? Andrew Weatherall Not really.

Andrew Weatherall To make a track or do a remix? Audience member I guess both.